"Draw what you see", I kept thinking it and then later on I took that idea into my studio. Yesterday evening I was at the rough end of a learning curve and I was feeling frustrated. I needed to look at the art of natural perfumery differently if I was going to move up to the next level. So "Make what I smell, not what I think I smell?" how might that work? I suppose I could take a perfume, smell it and try and copy it...but I didn't want to do that.
Then, I thought again of my son and what he might do if he didn't have a print out of spiderman to copy. He would look for something that might inspire him. He might look for a theme. I would think of a theme, so I thought SPRING THEME. Then I began to build up a picture in my head and on paper of a spring theme. The daffodils, the primroses, the tulips, the frogs laying eggs in the pond, fresh breeze's and cool earthy smells of new growth.
I began to look at my organ then & I chose the following essences: Alpine Cedarwood, Rosemary, and Glabanum, jasmine, ylang ylang and nutmeg, vetivert oakmoss and french tarragon absolute.
The result was startling. I can see the mistakes in probably the same way as my six year old can spot how his version of Spiderman is not identical to the print-out version. I can smell how what I have made is a little rough around the edges, a little heavy where it could be lighter, a little sweet where it could be fresher. But now I have an understanding and a measure of where it is going and what it's going to be like when it gets there.
As a side note: When I was choosing the essences, some were like old friends to me. I knew their make up and how they were going to react with the others. The ones I didn't know so well were the: galbanum, the tarragon absolute and the rosemary. My next step is getting to know these ones better.
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